Full Face Of Makeup Using ONLY My DIY Makeup
I decided to do a full face of makeup video, but this time, only using my DIY makeup. So basically every DIY makeup video I’ve ever done… DIY lipstick out of bubblegum, diy eyeliner out of colored pencils, diy contour slime, all that fun stuff! Guess which DIY I ended up using for my eyeliner wing and your my new favorite!

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ALL MY DIY VIDEOS:

DIY Contour Slime

DIY Make Your Own Concealer [Easy]

DIY Lipstick Out Of Lollipops

DIY Lipstick Out Of Bubblegum

DIY Weird Beauty Products You NEED To Try

DIY Makeup Out Of Water Bottles

DIY Weird Christmas Presents You NEED To Try

Weird Hair Tools You NEED To Try

DIY: Make Eyeliner Out Of Colored Pencils

How To Grow Long Eyelashes FAST! (Guaranteed Longer Eyelashes)

DIY- Make mascara with a BLUEBERRY!

DIY Lipstick Out Of Toothpaste

How to: DIY Press on TATTOO Eyeshadow!

How To: Make your own Lipscrub! [DIY Lipscrub!]

DIY Lipstick Out Of Cotton Candy!

DIY- Make Your Own BB Cream

DIY: How To Make a GALAXY Bath Bomb!

DIY- Make your own bronzer!

DIY Peel Off Foundation

DIY Weird Back To School Supplies You NEED To Try

DIY Lava Lamp Lipgloss

DIY Make Your Own Cheek stain!

A real life capsule to sleep in. Cool!
This is one of the most “ONLY in JAPAN” experiences possible — staying in a capsule hotel in a Japanese city. It’s cheap and convenient but why do people actually stay here? Is it … you know … big enough?
In this episode, John Daub and Masahito Kawahata head to the Shinjuku Kuyakusho-mae Capsule Hotel in Kabukicho to find out.

Japan’s Capsule Hotels are more than cheap places to crash.
This type of hotel is distinctively Japanese in style, cramming in as much as possible into a tiny space to make a comfortable experience, but can a guest really be comfortable in one?
More and more foreign tourists to Japan want to give it a try! How small are these capsule? How much is a night? What are the rules?
Is it worth it?

Miss your last train?
Work too late?
Argument with your husband or wife and need a place to crash? Those might be the normal reasons why Japanese salarymen spend the night at a capsule hotel.
For foreign tourists it’s a chance to experience a unique style of hotel that seems more like spending a night at the morgue.
Before you pass judgement on capsule hotels, some things about them may surprise you!

What can you find at the capsule hotel?
Here’s a list:

Capsules
Lockers
Restaurant (Open 18:00~24:00)
Community Room
Vending machines
Laundry machines
Fast and free WIFI
English speaking staff
Women’s only floor
Japanese-style bath and sauna
Close to Shinjuku Station, bars, Golden Gai and Robot Restaurant

VOLCANIC SAND BATH? YES!! Welcome to Ibusuki, Kagoshima! \r
In this , John travels to Kagoshima prefecture on the bottom of Kyushu to visit this unique style of onsen. Its call “suna mushi onsen” (砂むし温泉) in Japan. This style of Volcanic Sand Bath is only in Ibusuki, Kagoshima. \r
\r
There are several health benefits associated to suna mushi onsen. \r
★ Good for the skin \r
★ Improves blood circulation\r
★ Increases your metabolism\r
★ Relaxation\r
\r
The sand is on average 50 to 55 degrees Celsius (~122 F) and that heat can be adjusted for children (cooler) — or hotter for those who can take the heat. \r
The recommended time limit in the sand bath is 10 minutes although I like to stay under for 15 minutes. You can stay as long as you like but to be honest, you cant stay over 15-20 minutes because your skin and body just cant manage it. \r
\r
After the sand bath, you rinse off, return to blue yukata robe and soak in an onsen if you like. \r
The whole experience is only 1080 yen.\r
A small towel is 120 yen. Lockers and a yukata are included. \r
\r
Getting to Kagoshima:\r
Flight: I flew SKYMARK airlines for 9,800 yen but ANA and JAL also fly to Kagoshima from Tokyo as well as Osaka / Kansai. \r
\r
Train: \r
Kagoshima is now linked by the Shinkansen like from Tokyo but it takes about 7-8 hours with a change of trains in either Hakata (Fukuoka). \r
\r
Bus: There are night buses from Osaka, Fukuoka and Tokyo. \r
I recommend flying though. \r
\r
Google Map:\r
\r
Suna Mushi Onsen\r
URL: \r
\r
This video is NOT CREATIVE COMMONS. It has the standard YouTube license. \r
\r
Subtitles: I welcome any help with any language so viewers around the world can enjoy the show! Submit subtitles here: THANK YOU! Send me a message when finished so I can give you credit. \r
\r
Music Credits: \r
\r
Ask Rufus by Audionautix is licensed under a Creative Commons Attribution license ( \r
Artist: \r
\r
Dangerous by Kevin MacLeod is licensed under a Creative Commons Attribution license (\r
Source: \r
Artist: \r
\r
Thank you to everyone who contributed to the subtitles of this . Credit as collaborators: \r
(Esperanto) lusentoj \r
\r
This show has been created and produced by John Daub ジョン・ドーブ. Hes been living and working in Japan for over 18 years and regularly reports on TV for Japans International Channel.

VOLCANIC SAND BATH? YES!! Welcome to Ibusuki, Kagoshima! \r
In this , John travels to Kagoshima prefecture on the bottom of Kyushu to visit this unique style of onsen. Its call “suna mushi onsen” (砂むし温泉) in Japan. This style of Volcanic Sand Bath is only in Ibusuki, Kagoshima. \r
\r
There are several health benefits associated to suna mushi onsen. \r
★ Good for the skin \r
★ Improves blood circulation\r
★ Increases your metabolism\r
★ Relaxation\r
\r
The sand is on average 50 to 55 degrees Celsius (~122 F) and that heat can be adjusted for children (cooler) — or hotter for those who can take the heat. \r
The recommended time limit in the sand bath is 10 minutes although I like to stay under for 15 minutes. You can stay as long as you like but to be honest, you cant stay over 15-20 minutes because your skin and body just cant manage it. \r
\r
After the sand bath, you rinse off, return to blue yukata robe and soak in an onsen if you like. \r
The whole experience is only 1080 yen.\r
A small towel is 120 yen. Lockers and a yukata are included. \r
\r
Getting to Kagoshima:\r
Flight: I flew SKYMARK airlines for 9,800 yen but ANA and JAL also fly to Kagoshima from Tokyo as well as Osaka / Kansai. \r
\r
Train: \r
Kagoshima is now linked by the Shinkansen like from Tokyo but it takes about 7-8 hours with a change of trains in either Hakata (Fukuoka). \r
\r
Bus: There are night buses from Osaka, Fukuoka and Tokyo. \r
I recommend flying though. \r
\r
Google Map:\r
\r
Suna Mushi Onsen\r
URL: \r
\r
This video is NOT CREATIVE COMMONS. It has the standard YouTube license. \r
\r
Subtitles: I welcome any help with any language so viewers around the world can enjoy the show! Submit subtitles here: THANK YOU! Send me a message when finished so I can give you credit. \r
\r
Music Credits: \r
\r
Ask Rufus by Audionautix is licensed under a Creative Commons Attribution license ( \r
Artist: \r
\r
Dangerous by Kevin MacLeod is licensed under a Creative Commons Attribution license (\r
Source: \r
Artist: \r
\r
Thank you to everyone who contributed to the subtitles of this . Credit as collaborators: \r
(Esperanto) lusentoj \r
\r
This show has been created and produced by John Daub ジョン・ドーブ. Hes been living and working in Japan for over 18 years and regularly reports on TV for Japans International Channel.

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“Why write for a pittance for your words,” wrote one of them, Keith Parkins, “only to then find no one is reading what you have taken the time
and trouble to write, because it resides within a fenced-off ghetto?”
Medium maintains it is doing well by the metrics it cares about.
“I thought once everybody could speak freely and exchange information
and ideas, the world is automatically going to be a better place,” Mr. Williams says.
“If I learn that every time I drive down this road I’m going to see more and more car crashes,” he says, “I’m going to take a different road.”
But a new road may have other problems.
“A beautiful space for reading and writing — and little else,” Mr. Williams called Medium at its public debut in 2012.
He once told Mr. Williams that he had some new ideas about dating sites but feared
that if he tackled them, “I’d be working on the same thing my whole entire life.”
Mr. Williams had pondered for a moment and replied, “I’ve been working on the same thing my whole life.”
Mr. Hong said: “It’s not a vanity project, it’s his calling.
“I think we will fix these things,” Mr. Williams says.
“Write whatever you want, and we’ll pay you based on certain terms,” Mr. Williams says now.
“Ad-driven systems can only reward attention,” Mr. Williams says.

This appears to be yet another pseudonym of Sam Lanin (1891-1977), who was an American jazz bandleader. Lanin’s brothers, Howard and Lester, were also bandleaders, and all of them had sustained, successful careers in music. Lanin was one of ten children born to Russian-Jewish immigrants who emigrated to Philadelphia in the decade of the 1900s. Sam played clarinet and violin while young, and in 1912 he was offered a spot playing in Victor Herbert’s orchestra, where he played through World War I. After the war he moved to New York City and began playing at the Roseland Ballroom in late 1918. There he established the Roseland Orchestra; this ensemble recorded for the Columbia Gramophone Company in the early 1920s. Sam recorded with a plethora of ensemble arrangements, under names such as Lanin’s Jazz Band, Lanin’s Arcadians, Lanin’s Famous Players, Lanin’s Southern Serenaders, Lanin’s Red Heads, Sam Lanin’s Dance Ensemble, and Lanin’s Arkansaw Travelers. He did not always give himself top billing in his ensemble’s names, and was a session leader for an enormous number of sweet jazz recording sessions of the 1920s. Among the ensembles he directed were Ladd’s Black Aces, The Broadway Bell-Hops, The Westerners, The Pillsbury Orchestra and Bailey’s Lucky Seven. He had a rotating cast of noted musicians playing with him, including regular appearances from Phil Napoleon, Miff Mole, Jules Levy Jr. and Red Nichols, as well as Jimmy Dorsey, Tommy Dorsey, Manny Klein, Jimmy McPartland, Bix Beiderbecke, Eddie Lang, Bunny Berigan, Nick Lucas and Frankie Trumbauer. Lanin did little actual playing on these records; his main contributions were clean, well-orchestrated arrangements and session directions. In addition to his recordings, he also played regularly on radio after 1923, and the Roseland Orchestra played on New York radio weekly every Monday from 1923 to 1925. He entered into a sponsorship with Bristol-Myers for their toothpaste, Ipana; as a result, his ensemble was renamed The Ipana Troubadors. In 1928 and 1929, Lanin recorded with Bing Crosby. The 1929 stock market crash hit Sam Lanin hard, unlike his brother Lester; in 1931, he lost his contract with Bristol-Meyers, his radio show and the name Ipana Troubadors. By the middle of the 1930s, Sam was spending much of his time cutting transcription discs. While his fame had waned, he was still well off from the money he saved in the 1920s and retired from the music business by the end of the 1930s. He was essentially forgotten at the same time Lester went on to stardom. He died in 1977, having never returned to music. This excellent recording was made in 1929. Vocal by Claude Reece.