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Audiobook Ardrossan: The Last Great Estate on the Philadelphia Main Line David Nelson Wren Read Online

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Mason initially focused on songwriting when she entered the music industry in her teens. As a performer, though, she had a major hit single with her third release in 1965, “Yes, I’m Ready” (#5 pop, #2 R&B), a fetching soul-pop confection that spotlighted her girlish vocals. One of the first examples of the rhythmic but lush sound that came to be called Philly soul, she had modest success throughout the rest of the decade on the small Arctic label, run by her manager, top Philadelphia disc-jockey, Jimmy Bishop. She reached the U.S. Billboard Hot 100 Top 40 again in 1965 with “Sad, Sad Girl”, and “Oh How It Hurts” in 1967, releasing two albums. A two-year stay with National General Records, run by a film production company, produced one album and four singles which failed to find success.

In the 1970s, Mason signed to Buddah Records and toughened her persona, singing about sexual love and infidelity with an uncommon frankness at the time in songs like “Bed and Board”, “From His Woman to You”, and “Shackin’ Up” and would interrupt her singing to deliver straight-talking ‘raps’ about romance. She also continued to write some of her new material. Curtis Mayfield produced her on a cover version of Mayfield’s own “Give Me Your Love”, which restored her to the pop Top 40 and R&B Top Ten in 1973; “From His Woman to You” (the response to Shirley Brown’s single “Woman to Woman”) and “Shackin’ Up”, produced by former Stax producer Don Davis in Detroit were also solid soul sellers in the mid-1970s.

After leaving Buddah Records in 1975, surprisingly after two top ten R&B hits, she only dented the charts periodically on small labels. They included “I Am Your Woman, She Is Your Wife”, which was produced in 1978 by Weldon McDougal who had produced her first major success, “Yes I’m Ready”, and later in 1984, “Another Man” on West End Records.

Mason started to concentrate on running her own publishing company in the late 1980s, but continues to perform occasionally. She released a new CD, Feeling Blue, in September 2007. Ms Mason is still performing to sold-out audiences in 2016. Her most recent show is at the Terrance Theater in Long Beach California.

Barbara Mason was inducted into the Soul Music Hall of Fame on March 1, 2016.

Download PDF/Read Online Book: A unique and fascinating chronicle of the construction and furnishing of an early 20th-century country house, vividly brought to life by letters from the family archive. Never-before- …

Download/Read online here: http://freepdf.club/book?id=0983863253&l=com&s1=0&s2=dm

Download PDF/Read Online Book: A unique and fascinating chronicle of the construction and furnishing of an early 20th-century country house, vividly brought to life by letters from the family archive. Never-before- …

Download/Read online here: http://freepdf.club/book?id=0983863253&l=com&s1=0&s2=dm

Download PDF/Read Online Book: A unique and fascinating chronicle of the construction and furnishing of an early 20th-century country house, vividly brought to life by letters from the family archive. Never-before- …

Download/Read online here: http://freepdf.club/book?id=0983863253&l=com&s1=0&s2=dm

Here is another lovely song by one of Sam Lanin’s many bands, this time under the abovementoned denomination. Sam (C.) Lanin (1891-1977) was an American jazz bandleader.Lanin’s brothers, Howard and Lester, were also bandleaders, and all of them had sustained, successful careers in music. Lanin was one of ten children born to Russian-Jewish immigrants who emigrated to Philadelphia in the decade of the 1900s. Sam played clarinet and violin while young, and in 1912 he was offered a spot playing in Victor Herbert’s orchestra, where he played through World War I. After the war he moved to New York City and began playing at the Roseland Ballroom in late 1918. There he established the Roseland Orchestra; this ensemble recorded for the Columbia Gramophone Company in the early 1920s. Sam recorded with a plethora of ensemble arrangements, under names such as Lanin’s Jazz Band, Lanin’s Arcadians, Lanin’s Famous Players, Lanin’s Southern Serenaders, Lanin’s Red Heads, Sam Lanin’s Dance Ensemble, and Lanin’s Arkansaw Travelers. He did not always give himself top billing in his ensemble’s names, and was a session leader for an enormous number of sweet jazz recording sessions of the 1920s. Among the ensembles he directed were Ladd’s Black Aces, The Broadway Bell-Hops, The Westerners, The Pillsbury Orchestra and Bailey’s Lucky Seven. He had a rotating cast of noted musicians playing with him, including regular appearances from Phil Napoleon, Miff Mole, Jules Levy Jr. and Red Nichols, as well as Jimmy Dorsey, Tommy Dorsey, Manny Klein, Jimmy McPartland, Bix Beiderbecke, Eddie Lang, Bunny Berigan, Nick Lucas and Frankie Trumbauer. Lanin did little actual playing on these records; his main contributions were clean, well-orchestrated arrangements and session directions. In addition to his recordings, he also played regularly on radio after 1923, and the Roseland Orchestra played on New York radio weekly every Monday from 1923 to 1925. He entered into a sponsorship with Bristol-Myers for their toothpaste, Ipana; as a result, his ensemble was renamed The Ipana Troubadors. In 1928 and 1929, Lanin recorded with Bing Crosby. The 1929 stock market crash hit Sam Lanin hard, unlike his brother Lester; in 1931, he lost his contract with Bristol-Meyers, his radio show and the name Ipana Troubadors. By the middle of the 1930s, Sam was spending much of his time cutting transcription discs. While his fame had waned, he was still well off from the money he saved in the 1920s and retired from the music business by the end of the 1930s. He was essentially forgotten at the same time Lester went on to stardom. He died in 1977, having never returned to music. This catchy tune was recorded on New Year’s Eve of 1926. Vocal by “Tom Frawley”, a pseudonym for Irving Kaufman.

Morning River Band perform the Last Red Bank Blues at Boot & Saddle, Philadelphia, PA, May 28, 2015
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Morning River Band perform Lefty’s Last Blues (partial) 9/9/15 at Bob & Barbara’s Philadelphia PA