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Mixmag and The Smirnoff Sound Collective present The Lab Philly
More from JOSH WINK: https://soundcloud.com/joshwinkofficial
More from KING BRITT: https://soundcloud.com/kingbritt
The Lab is powered by Void Acoustics: http://www.voidacoustics.com
For more music, videos and everything Mixmag: https://www.mixmag.net

The Lab is Mixmag and Smirnoff Sound Collective’s weekly party, where we stream the best American and international DJs from intimate locations across North America. This week will be the first Lab On Location of 2017, a special edition of The Lab where the team travels to select destinations to highlight the city’s culture and electronic music audience.

Mixmag and Smirnoff Sound Collective head to Philadelphia for The Lab Philly with Josh Wink and King Britt at CODA. http://www.codaphilly.com

The exclusive event will be the first time the Philadelphia natives are performing together in over a decade, reuniting from a long hiatus after the two founded Ovum Recordings together.

Josh Wink, known as one of the most iconic electronic acts during the rise of underground culture in the nineties, is most noted for his Ovum imprint. The label, which recently celebrated its 20 year anniversary, has paved the way for house and techno across the world.

Wink’s affinity for deeply resonant sounds has defined him as an undeniable talent and household name, growing in popularity with his hits ‘Higher State Of Consciousness’ and ‘Don’t Laugh’ during the formative years of his career. Today, as a revered producer and curator, Josh continues to travel internationally as a top in-demand act, releasing most of his sets via his ‘Profound Sounds’ series. Josh has new releases coming on Soma as well as a new single on Ovum in March.

King Britt, global groove master and equal forger of electronic culture, is a celebrated artist who has had legendary releases on Strictly Rhythm, Hyperdub and of course, Ovum. His funk influenced flavor and classic house roots developed through a touring with Grammy Award winning group Digable Planets, productions for Kathy Sledge, Miles Davis, Mixmag cover star Cassy and curating AfroFuturist events at MoMA PS1

On opening duties we have hometown heroes Rob Paine & Francisco Collazo, as well as Smirnoff Sound Collective artist Nomi Ruiz, a celebrated vocalist, songwriter and a highly active artist in the LGBT community.

Keep an eye on Mixmag’s Twitter to find out how you can join this exclusive party.

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The Lab LA is strongly powered by Void Acoustics.

The Smirnoff Sound Collective is all about bringing fans closer to the DJs, providing up and coming talent with a solid platform and throwing unique events where fans and artists can party together.
http://mixmag.net/sound-collective

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PRESENTED BY JACK GLAZER

“You don’t just get there straight out of the blue; those haunting humming synthesizers at the beginning of “D,” the melancholy piano chord changes, the emotional pull the song has on your psyche. It’s a process, you know? It comes from years of growth, experimentation, revision, looking at the scene from another angle, considering the possibilities. “Take a picture, make it last, make it different,” sings Dominic Angelella. And that’s very much the road DRGN King has taken.

Our story opens with Angelella onstage at a North Philadelphia rock club, his hair flailing, his guitar strings rattling, hisface beaming. It’s 2009 or thereabouts, and he’s performing with one of his old bands, a punky Americana group with such high energy, folks are hanging outafter the show to shake his hand. A couple months later, a different venue, a different scene entirely — an eclectic hip-hop outfit, and there he is again, playing guitar. Later still, Angelella’s face keeps showing up in band photos, on show flyers and venue websites. His enthusiasms run the gamut — experimental lo-fi psych, indie rock soul, arty grunge throwbacks. The question has to be asked – are you in every group in Philadelphia? He laughs, responds: No man, just a bunch of projects.

Meanwhile in South Philly, Brent “Ritz” Reynolds was holed up in a studio, making a name for himself as a young hip-hop producer. He cut tracks for The Roots, worked with Mac Miller and State Property alum Peedi Crakk. Reynolds knew his stuff and had the moxy for the hard haul of being a freelance recording guru. In early 2010 he and Angelella connected in a chance recording session, and the doors of possibility were blown open. Angelella’s songwriting would become a prototype for Reynolds to test out his lush, imaginative production skills into the rock world. Conversely, Reynolds’ studio alchemy would place Angelella’s broad-spanning tastes and musical interests under a single umbrella. You don’t have to be in a dozen different-sounding bands and call them a dozen different things. You can do it all, and call it DRGN KING.

DRGN KING debuted in a well-received warehouse show that fall. Angelella and Reynolds deemed the experiment a success, and kept it moving. Various musical collaborators were brought in, shows got played and new songs were written. Then they retreated into the studio, recorded, refined and recorded some more. Paragraph Nights comes after two years of nose-to-the-grindstone work, and its song are bursting with life, excitement, self-discovery, possibility. Listen to the pensive, introspective electronic pop of “Warriors.” It’s a nod to the community of artists and musicians in Philadelphia, and ruminates on crafting an identity through art: “People tell me I got no purpose,” Angelella sings. “They’re not wrong but it’s allright.”

Skip around and you’ll find a variety of tones and moods. The fierce industrial juggernaut “Barbarians” rushes at you with a surreal account of nightlife as a rite of passage, as well as a possibly damaging pursuit that just might fray one’s sanity. With haunting half-whispered, half-howled vocals and hammering drumbeats, DRGN King pushes you to the edge, then carries you back. Earlier, the power pop riffage of “Holy Ghost” laughs and makes an anthemic march out of people projecting an identity onto Angelella — telling him he looks like the Christian Jesus.

With a massive beat and blissful refrain, “Altamont Sunrise” is a soaring number to carry you on your way — to other cities, to other countries, worlds apart from where we are today. A snapping snare drum and juggling bass line are your guides, while Angelella sings loudly and joyously with everyone in the room about taking the lessons learned and making something bigger and brighter on top of the ruins.”-John Vettese, WXPN

http://www.wearedrgnking.com/

Los Angeles is:
Cindi Avnet- Co-Producer
Aleah Wolinsky-Videographer/ Field Producer
Jeff Bates- Audio Engineer
Anabel Correa- Assistant Audio Engineer
Atara Gottschalk- Co-Producer
Leah Hobbs-Associate Producer
Anthony Daglio & Lydia Reed- PA

Tune in again to BalconyTV //