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Here is another lovely song by one of Sam Lanin’s many bands, this time under his own, abovementoned denomination. Sam (C.) Lanin (1891-1977) was an American jazz bandleader.Lanin’s brothers, Howard and Lester, were also bandleaders, and all of them had sustained, successful careers in music. Lanin was one of ten children born to Russian-Jewish immigrants who emigrated to Philadelphia in the decade of the 1900s. Sam played clarinet and violin while young, and in 1912 he was offered a spot playing in Victor Herbert’s orchestra, where he played through World War I. After the war he moved to New York City and began playing at the Roseland Ballroom in late 1918. There he established the Roseland Orchestra; this ensemble recorded for the Columbia Gramophone Company in the early 1920s. Sam recorded with a plethora of ensemble arrangements, under names such as Lanin’s Jazz Band, Lanin’s Arcadians, Lanin’s Famous Players, Lanin’s Southern Serenaders, Lanin’s Red Heads, Sam Lanin’s Dance Ensemble, and Lanin’s Arkansaw Travelers. He did not always give himself top billing in his ensemble’s names, and was a session leader for an enormous number of sweet jazz recording sessions of the 1920s. Among the ensembles he directed were Ladd’s Black Aces, The Broadway Bell-Hops, The Westerners, The Pillsbury Orchestra and Bailey’s Lucky Seven. He had a rotating cast of noted musicians playing with him, including regular appearances from Phil Napoleon, Miff Mole, Jules Levy Jr. and Red Nichols, as well as Jimmy Dorsey, Tommy Dorsey, Manny Klein, Jimmy McPartland, Bix Beiderbecke, Eddie Lang, Bunny Berigan, Nick Lucas and Frankie Trumbauer. Lanin did little actual playing on these records; his main contributions were clean, well-orchestrated arrangements and session directions. In addition to his recordings, he also played regularly on radio after 1923, and the Roseland Orchestra played on New York radio weekly every Monday from 1923 to 1925. He entered into a sponsorship with Bristol-Myers for their toothpaste, Ipana; as a result, his ensemble was renamed The Ipana Troubadors. In 1928 and 1929, Lanin recorded with Bing Crosby.
The 1929 stock market crash hit Sam Lanin hard, unlike his brother Lester; in 1931, he lost his contract with Bristol-Meyers, his radio show and the name Ipana Troubadors. By the middle of the 1930s, Sam was spending much of his time cutting transcription discs. While his fame had waned, he was still well off from the money he saved in the 1920s and retired from the music business by the end of the 1930s. He was essentially forgotten at the same time Lester went on to stardom. He died in 1977, having never returned to music. This brilliant recording was made in 1927. Vocal by Irving Kaufman.

Hey everybody!!

Here is my 79th podcast to my very own personal radio show called, “The Andy Morales Show”. This one focuses on the Electro-Rap, and Breakdance sounds of Mid-1980’s Hip-Hop Music to start off the summer season of 2017!! Recorded on: June 24, 2017. Hope all of you will enjoy my 79th podcast to, “The Andy Morales Show”.

Songs on this show:
1. Ray & His Musical Family – “On A Sea Cruise (12″ Extended)” (Icy Records – 1985) (*An underrated group created and produced by Ray Fernandez in Florida. / Also known as Ray & His Court during the 1970s.)
2. Duane Parham Society – “The Rockin Place (7″ Radio Edit)” (Saxville Ave. Records – 1984) (*An overlooked Hip-Hop/Electro musical project compiled by Duane Parham himself in Detroit, MI.)
3. High Fidelity Three – “B Boys Breakdance (12″ Vocal Version)” (Cutting Records – 1984) (*A widely popular Mid-80’s Electro-Rap record from a short-lived NYC rap crew.)
4. Dr. Jeckyll & Mr. Hyde – “He’s The Band” (Profile Records – 1985) (*An infamous Hip-Hop duo that consisted of Andre Harrell (Dr. Jeckyll) & Alonzo Brown (Mr. Hyde). / Featured on their only LP, “The Champagne Of Rap”.)
5. The Incredible Body Mechanix Featuring The Omega Clash MCs – “B Boy Your Best” (Mirage Records – 1984) (*The group’s only 12″ single that was produced by Craig Peyton & Nelson Cruz.)
6. Symbolic Three Featuring D.J. Dr. Shock – “No Show (12″ Extended)” (Reality / PRT Records – 1985) (*A response record based on Doug E. Fresh & The Get Fresh Crew’s ’85 hit single, “The Show”.)
7. Romeo, Cupid & Hugg E. Bear – “L.A. Girls (12″ Long Version)” (Capitol Records – 1986) (*Their one and only 12″ single released in the music business.)
8. Eddie – “D” – “Backstabbin’ (12″ Vocal Version)” (Philly World Records – 1985) (*An awesome Mid-80’s rap song performed by a forgotten MC from Philadelphia, PA.)
9. Ultimate III – “Ultimate III Live! (12″ Club Mix)” (N.V. / Cutting Records – 1986) (*Another awesome Mid-80’s rap tune. / Their second out of only three 12″ singles released in the rap music scene.)

Special thanks to the one who contributed in this podcast:
Joe Feeney

You seen it here first on Dailymotion! 🙂

ECW started as a small, Philadelphia-based local wrestling company, but rapidly became a sensation that built a passionate fan base and influenced both WCW and WWE permanently. Extreme Championship Wrestling was known for its intense matches, fan interaction, and introducing a number of future superstars to the general public, including Tommy Dreamer, Raven, Sandman, Taz, Eddie Guerrero, Chris Jericho, the Dudley Boyz, Rob Van Dam, Shane Douglas, and more. Now for the first time in years, ECW returns to home entertainment with The Biggest Matches in ECW History. Hosted by the longtime unmistakable voice of ECW, Joey Styles, this home video release collects some of the most amazing and over-the-top matches in ECW history, some of which have never before been released on DVD.