Here is another lovely song by one of Sam Lanin’s many bands, this time under his own, abovementoned denomination. Sam (C.) Lanin (1891-1977) was an American jazz bandleader.Lanin’s brothers, Howard and Lester, were also bandleaders, and all of them had sustained, successful careers in music. Lanin was one of ten children born to Russian-Jewish immigrants who emigrated to Philadelphia in the decade of the 1900s. Sam played clarinet and violin while young, and in 1912 he was offered a spot playing in Victor Herbert’s orchestra, where he played through World War I. After the war he moved to New York City and began playing at the Roseland Ballroom in late 1918. There he established the Roseland Orchestra; this ensemble recorded for the Columbia Gramophone Company in the early 1920s. Sam recorded with a plethora of ensemble arrangements, under names such as Lanin’s Jazz Band, Lanin’s Arcadians, Lanin’s Famous Players, Lanin’s Southern Serenaders, Lanin’s Red Heads, Sam Lanin’s Dance Ensemble, and Lanin’s Arkansaw Travelers. He did not always give himself top billing in his ensemble’s names, and was a session leader for an enormous number of sweet jazz recording sessions of the 1920s. Among the ensembles he directed were Ladd’s Black Aces, The Broadway Bell-Hops, The Westerners, The Pillsbury Orchestra and Bailey’s Lucky Seven. He had a rotating cast of noted musicians playing with him, including regular appearances from Phil Napoleon, Miff Mole, Jules Levy Jr. and Red Nichols, as well as Jimmy Dorsey, Tommy Dorsey, Manny Klein, Jimmy McPartland, Bix Beiderbecke, Eddie Lang, Bunny Berigan, Nick Lucas and Frankie Trumbauer. Lanin did little actual playing on these records; his main contributions were clean, well-orchestrated arrangements and session directions. In addition to his recordings, he also played regularly on radio after 1923, and the Roseland Orchestra played on New York radio weekly every Monday from 1923 to 1925. He entered into a sponsorship with Bristol-Myers for their toothpaste, Ipana; as a result, his ensemble was renamed The Ipana Troubadors. In 1928 and 1929, Lanin recorded with Bing Crosby. The 1929 stock market crash hit Sam Lanin hard, unlike his brother Lester; in 1931, he lost his contract with Bristol-Meyers, his radio show and the name Ipana Troubadors. By the middle of the 1930s, Sam was spending much of his time cutting transcription discs. While his fame had waned, he was still well off from the money he saved in the 1920s and retired from the music business by the end of the 1930s. He was essentially forgotten at the same time Lester went on to stardom. He died in 1977, having never returned to music. This wonderful record was made in 1930, featuring a delicate vocal by Scrappy Lambert.

Here is another great song by one of Sam Lanin’s many bands, this time under his own, abovementoned denomination. Sam (C.) Lanin (1891-1977) was an American jazz bandleader.Lanin’s brothers, Howard and Lester, were also bandleaders, and all of them had sustained, successful careers in music. Lanin was one of ten children born to Russian-Jewish immigrants who emigrated to Philadelphia in the decade of the 1900s. Sam played clarinet and violin while young, and in 1912 he was offered a spot playing in Victor Herbert’s orchestra, where he played through World War I. After the war he moved to New York City and began playing at the Roseland Ballroom in late 1918. There he established the Roseland Orchestra; this ensemble recorded for the Columbia Gramophone Company in the early 1920s. Sam recorded with a plethora of ensemble arrangements, under names such as Lanin’s Jazz Band, Lanin’s Arcadians, Lanin’s Famous Players, Lanin’s Southern Serenaders, Lanin’s Red Heads, Sam Lanin’s Dance Ensemble, and Lanin’s Arkansaw Travelers. He did not always give himself top billing in his ensemble’s names, and was a session leader for an enormous number of sweet jazz recording sessions of the 1920s. Among the ensembles he directed were Ladd’s Black Aces, The Broadway Bell-Hops, The Westerners, The Pillsbury Orchestra and Bailey’s Lucky Seven. He had a rotating cast of noted musicians playing with him, including regular appearances from Phil Napoleon, Miff Mole, Jules Levy Jr. and Red Nichols, as well as Jimmy Dorsey, Tommy Dorsey, Manny Klein, Jimmy McPartland, Bix Beiderbecke, Eddie Lang, Bunny Berigan, Nick Lucas and Frankie Trumbauer. Lanin did little actual playing on these records; his main contributions were clean, well-orchestrated arrangements and session directions. In addition to his recordings, he also played regularly on radio after 1923, and the Roseland Orchestra played on New York radio weekly every Monday from 1923 to 1925. He entered into a sponsorship with Bristol-Myers for their toothpaste, Ipana; as a result, his ensemble was renamed The Ipana Troubadors. In 1928 and 1929, Lanin recorded with Bing Crosby. The 1929 stock market crash hit Sam Lanin hard, unlike his brother Lester; in 1931, he lost his contract with Bristol-Meyers, his radio show and the name Ipana Troubadors. By the middle of the 1930s, Sam was spending much of his time cutting transcription discs. While his fame had waned, he was still well off from the money he saved in the 1920s and retired from the music business by the end of the 1930s. He was essentially forgotten at the same time Lester went on to stardom. He died in 1977, having never returned to music. This lovely recording was made in 1928. Vocal by Jack Kaufman.Unfortunately, this disc was quite worn, but I considered it too fine to discard.

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When Piano Means House Music!!!

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Top Italian Dance House 2016 – 2 Hours Best Chillout Lounge Music
Wonderful selection of Italian House Music 90’s: Piano Anthems ( When Piano Means… House Music!! )
1. Nikita Warren – I Need You 00:00
2. Soft House Company – What You Need… 06:09
3. Datura – Nu Style [Mandragora Autumnalis] 11:24
4. Double Dee – Found Love [House Version] 15:41
5. T.N.T. Piano Please 20:29
6. Smallage – Together [Club Mix] 26:41
7. Key Tronics Ensemble – House of Calypso [Remix Version] 32:38
8. Be Noir – Love Themes [Piano Luv] 39:07
9. Kipper – Livin’ the Nitelife [Classic Style Mix] 44:05
10. Centric House – Alright Alright [Seaside Mix] 50:17
11. Jestofunk – Special Love [Soulfuric Special Dub] 57:35
12. Montego Bay – Everything… [S-Tone Inc Mix] 01:04:03
13. Be Noir – It’s Gonna Be Alright [Philadelphia Mix] 01:09:26
14. Collina – Babe What’s Goin On 01:15:20
15. Double Dee – Come into My Life 01:23:06
16. Key Tronics Ensemble – Move [Sweet Mix] 01:28:48
17. Dynamic Noise Just Let Me Be [Detroit Mix] 01:34:27
18. Eden Traxx – Thinking of You 01:39:56
19. Ejemmel – Revenge 01:43:48
20. Love Nation – Lifetime 01:50:30
21. Lowee – Now I Feel [Off Shore Mix] 01:56:19
22. More Heavy Soul – Magic Tonight 02:01:12
23. The Dreaman – Under the Garage 02:07:06
24. In Sense Out – Goodbye Bababa [New Soul] 02:13:07

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Fundraising event by Nardhana academy of dance in Philadelphia

Philadelphia Cultural Event 2015 – Children’s dance

Groove National Dance Competitions event recap from our 2014 Randolph, MA Convention. Randolph was lots of fun and we cannot wait to see you next year!\r
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Groove National Dance Competitions event recap from our 2014 Philadelphia, PA Convention. Philly was lots of fun and we cannot wait to see you next year!\r
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Groove National Dance Competitions event recap from our 2014 Philadelphia, PA Convention. Philly was lots of fun and we cannot wait to see you next year!\r
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Groove National Dance Competitions performance recap from our 2015 Millstone NJ regional dance competition! Thank you everyone who participated!

GOING TO A NIGHT CLUB IN ROBLOX – Thanks for watching! ▻ I LOVE CATS T-Shirt Now Available! — ▻ OFFICIAL Denis Roblox Shirt!\r
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TWITTER: INSTAGRAM: Today in Roblox I play a dance club called Club Boates and it .\r
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The students of ROBLOX High School go to the club called Club Red and learn how to pick up girls and go online dating in Roblox! ▻ Leave a like if you want .\r
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Today I play Club Sanity and it was not what I was expecting it to be. This video is a comedy skit and not to be taken seriously, much like all my other videos!\r
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