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Bestselling author Jim Cramer takes readers on a wild Wall Street ride—revealing how to play the game, who breaks the rules, and who gets hurt.Everyone on Wall Street knows Jim Cramer, and Cramer knows Wall Street better than anyone. In the most candid and outrageous look at Wall Street since Liar s Poker, Cramer, co-founder of TheStreet.com, radio and television commentator, and for years a premier money manager, takes readers on the wild ride that is Wall Street — revealing how the game is played, who breaks the rules, and who gets hurt. Confessions of a Street Addict takes us from Cramer s roots in the middle-class Philadelphia suburbs to Harvard, where he began managing money, and then to Goldman Sachs, where he went into business with his wife — Karen, the “Trading Goddess” — as his partner. He brilliantly describes the life of a money manager: the frenetic pace, the constant pressure to outperform the market and other fund managers, and the sharklike attacks fund managers make as they circle a fund perceived to be in trouble. Throughout the book Cramer is characteristically outspoken, offering his hard-won insights about the market and everyone in it, himself included. There has never been a more eloquent market insider than Cramer, nor a more high-octane book about Wall Street.
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With his landmark 1919 painting The City, Fernand Léger (1881–1955) inaugurated a vitally experimental decade during which he and others redefined the practice of painting in confrontation with the forms of cultural production that were central to urban life, ranging from graphic and advertising design to theater, dance, film, and architecture. This catalogue casts new light on the painting (reproducing all of its studies together for the first time), the avant-garde use of print media, and Léger’s fascination with cinema and architecture, and contextualizes a network of international avant-gardes—including Blaise Cendrars, Le Corbusier, Jean Epstein, Piet Mondrian, Amédée Ozenfant, Francis Picabia, and Theo van Doesburg—in relation to Léger. Featuring nearly 250 images of paintings, architectural designs, models, posters, set designs, and film stills and an anthology of relevant historical texts not previously published in English, this handsome volume conveys the spirit of experimentation of the 1920s. Scholars in the fields of art, architecture, and film history offer a deeper understanding of the relationship between art and the modern urban experience that defined this significant chapter in the history of modern art.
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Born in Philadelphia and living and working between Paris and Rome, Barbara Chase-Riboud is an internationally celebrated visual artist, novelist, and poet. This important publication focuses on her monumental series of sculptures dedicated to the assassinated civil rights leader Malcolm X. Begun in 1969, Chase-Riboud s series is explored in terms of developing artistic practice; her travels to China and North Africa; and her experiences in Europe, particularly during the cultural, political, and social upheavals of the 1960s. The volume also includes a fascinating analysis of the Malcolm X sculptures in light of critical debates on abstract art’s role in memorializing the past. Beautifully designed and produced, this book presents an illustrated checklist of the 13 sculptures in the series, related drawings and sculptures, and a chronology of Chase-Riboud’s life and career.
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