Label:Big Beat Records
Series:Big Beat International –
Format:CD, Compilation
Country:UK
Released:1999

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rack Listing.

1 The Tempters – Himitsu No Aikotoba (Saitama, Japan) * 00:00
2 The Jaguars – Seaside Bound (Yokohama, Japan) 02:52
3 The Tempters – Kidotta Ano Ko (Saitama, Japan) * 06:03
4 The Jaguars – Dancin’ Baby (Yokohama, Japan) 08:51
5 The Tempters – Stop The Music (Saitama, Japan) * 11:35
6 The Tempters – Kono Mune Ni Dakishimete (Saitama, Japan) 14:38
7 The Carnabeats – Love Only For You (Tokyo, Japan) 16:50
8 The Jaguars – Beat Train (Yokohama, Japan) 20:06
9 The Jaguars – Taiyoh Yaroh (Yokohama, Japan) * 23:00
10 The Carnabeats – Kanashimi No Bell (Tokyo, Japan) * 25:00

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Label:Chronicle ‎
Country:Japan
Released:21 Jun 2002

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Track List.

01 – ruriko asaoka – siam-neko wo daite

02 – akira terao – kaze mo nai gogo no samba

03 – toi et moi – white waves

04 – the modern playing mate – day by day

05 – kaori kumi – kami ga yureteiru

06 – keisuke egusa – call me

07 – purple shadows – the joker

08 – akira terao – anata no kotoga

09 – tami masuda – yattsu no omoide

10 – kyoko enami – sayonara mo ienakute

11 – hiroshi kamayatsu et al – when we were 20 years old

12 – masami kawahara – mas que nada

13 – kyoko okada – donnafuni

14 – kyosen ohashi – koryamata minasa hyakumenso

15 – sumiko sakamoto – for me

16 – keisuke egusa – summer samba (so nice)ce)

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Label:Big Beat Records ‎
Series:Big Beat International –
Country:UK
Released:1996

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Track list.

1. YOU GAT A CALL ME – The Out Cast
2. DYNAMITE – The Spiders
3. MONKEY DANCE – The Spiders
4. ONE MORE PLEASE – The Blue Jeans
5. STOP DANCE – The Terrys
6. SHEIVIDE DE YUKO – The Playboy
7. KAETTE OKURE – The Playboy
8. AJOEN AJOEN – The Swing West
9. FIRE – The Swing West
10. LET’S GO RANGERS – The Rangers
11. KOI O KESUNDA – The Napoleon
12. APHRODITE – The Cougars
13. SUKI NANDA – The Cougars
14. WIPE OUT – The Spiders
15. FURI FURI – The Spiders
16. I SAW HER STANDING THERE – The Burns
17. BARA O ANOKONI – The Days And Nights
18. LET’S GO ON THE BEACH – The Out Cast
19. BOKUNO SOBAKARA – The Out Cast
20. HOLD ON, I’M COMIN’ – The Voltage
21. J AND A – The Cougars
22. SEISHUN A GO-GO – The Spiders

Japan, like many non-English-speaking countries, was home to a thriving garage/beat band scene in the 1960s. The Japanese scene, at least to Western ears, was more peculiar than most: for one thing, it didn’t really kick into gear until well into 1966, and Japanese groups were still playing in an early British Invasion-influenced style until the end of the decade. Singing in both Japanese and heavily accented English, the guitars (as a result of the Ventures huge popularity there) were surf-ish Mosrites, and the material was often a strange fusion of Merseybeat, punk, and over-the-top weirdness. GS I Love You is a 28-track compilation of songs originally released on the Crown and Teichiku labels, and while it’s no match for the British groups (or, for that matter, the best beat/punk groups from Holland and Sweden), it’s truly like no other ’60s rock you’ve heard. The guitar work is often frenzied and imaginative; the vocals walk the line between tough raunch and low comedy, particularly when they mangle English phonetics (the Swing West’s version of Arthur Brown’s “Fire,” as well as the Out Cast’s butchering of “Long Tall Sally” defy printed description). Sound quality and liner notes (in English) are excellent, and cuts like the Blue Jeans “One More Please” are genuinely good fusions of pop and punk, making this a good pickup for the more adventurous ’60s collector.

Review by Richie Unterberger

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Reshmonu rakam album di Philadelphia dalam usaha untuk menembusi pasaran antarabangsa

The Good Rats are an American rock band from Long Island, New York. Their music mixes elements of rock with blues and pop. They are best-known on their native Long Island, although they had some success nationally and internationally.

While countless rockers started their careers in the New York suburb of Long Island before going on to worldwide success (Billy Joel, Twisted Sister, Steve Vai, Brian Setzer, Blue Öyster Cult, etc.), there have been countless acts that appeared poised for a breakthrough, but for whatever reason, fell short. Many longtime followers of Long Island-based rock would probably agree that tops on the “woulda/coulda/shoulda” list were the Good Rats, a group who played at some of the East Coast’s best-known/biggest venues (Madison Square Garden, Nassau Coliseum, the Philadelphia Spectrum) during the ’70s, while opening for such big names as Aerosmith, Ozzy Osbourne, the Grateful Dead, Bruce Springsteen, Kiss, Journey, Heart, Styx, Meat Loaf, and Rush, among others. Specializing in a tough form of bar band/hard rock (comparable to Led Zeppelin early on, before getting more commercial), quite a few bandmembers waltzed through the Good Rats’ ranks after their formation during the late ’60s, but through it all, lead vocalist Peppi Marchello was present.

Although some groups would have quickly given up because of all the turbulence the Good Rats experienced, Marchello and company admirably continued to soldier ahead — continuing to issue strong yet overlooked albums (1978’s Rats to Riches and Birth Comes to Us All, 1979’s Rat City in Blue, and 1981’s Great American Music, the latter of which featured future Kiss guitarist Bruce Kulick). After laying low for a few years, Peppi put together a whole new version of the Good Rats in the early ’90s, featuring his son, guitarist Gene Marchello, who was a member of the short-lived-’80s pop-metal outfit Marchello. After their rebirth, the Good Rats began issuing all-new studio albums, including 1996’s Tasty Seconds and 2002’s Play Dum. The original lineup of the Good Rats was also known to sporadically reunite for gigs, such as a pair of shows in Rochester, New York, in October of 1998, which saw the “new” Good Rats open for the original Good Rats. However, after experiencing heart problems, Peppi Marchello underwent open-heart surgery in June 2013, and although the singer appeared to be recovering, he died from cardiac arrest the following month at the age of 68.

The band:
Peppi Marchello – lead vocals
Mickey Marchello – guitars & vocals
John Gatto – guitars
Lenny Kotke – bass & vocals
Joe Franco – drums

http://www.allmusic.com/artist/the-good-rats-mn0000949654/biography

The seeds of High Treason started at Temple University in Philadelphia, circa 1967. Edgar Koshatka started jamming with an assortment of “alternative music types” that were fairly commonplace in those days of sit-ins, protests, and general mayhem. Edgar was a jazz guy-at heart and a by-then-halfhearted classical guy as a music major.

Edgar always kept half-an-ear cocked to some of the innovative new rock radio stations springing up, and was completely “blown-away” (hey, it was the sixties, right?) when the rich textures, modal harmony, and sonic power of the Jefferson Airplane, circa “After Bathing At Baxters”. In mid-’68 or so,, Edgar met Marcie Rauer and Saul Goodman, and many musical ideas began to be exchanged.

The eclectic, multi-style musical mix that was to be the band’s trademark began to emerge, based around the writing of Edgar and the instrumental and vocal contributions of all. Joe Cleary, a successful top-40 type who had seen “the light” came aboard, and various bass players and drummers came and went with regularity (a problem that was to plague the band; there are also more than one-of-each on the album). The instrumental and vocal nucleus of Edgar, Marcie, Saul, and Joe remained constant, however.

By late ’68, the band had become a full-fledged effort, with a manager, a bunch of equipment, roadies, a band house, and lots of record company inquiries. Along with that came many gigs at scores of PA, NY, NJ, DE, and occasionally furtherafield concert halls, coffee houses, and especially at the symbolic late 60’s venues that would later be dubbed “psychedelic garages”. These, of course, were the arch typical social and music centers of the time for the alternative culture that had wafted from west coast to east.

The band finally signed a record deal in 1969 with, of all things, a label that was best known for recordings of children books (American Flag rolling papers on the front cover must have been an eyeopener for them!) The group spent a good part of 1969 in New York, recording the album, which was produced by Howard Massler, son of the record company founder and owner. By the early 70’s, the band found itself with a record out, a hefty spate of gigs like the Electric Factory, Cafe Au Go Go, Electric Circus, and even The Filmore East (back of booklet).

Musicians
*Bobby Blumenthal – Percussion
*Joe Cleary – Vocals
*Marcie Rauer – Vocals
*Saul Goodman – Guitar
*Edgar Koshatka – Keyboards
*Terry Morrissey – Bass (Tracks 4-6)
*R. Margolis – Bass (Tracks 1-3)
*Dennis Greller – Drums
*F. Masica – Drums

http://rockasteria.blogspot.co.il/2012/12/high-treason-high-treason-1969-us-west.html