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Setting Intentions & Being Clear & Setting Clear Intentions for Cowboy vs Eagles Game
http://www.youtube.com/watch?v=lHgE-711d-k

Do you have a clear intention?
Today what I want to share with you is on how to set an clear intention…

For myself I have done this before plenty of times in my day job of the car business. This is exactly how I would start every month that I can trace back when I have made big money selling.

For example back in 2005 a best friend and I decided to go to a Dallas Cowboys vs Philadelphia Eagles football game. My friend Mike Duncan is a die-hard Cowboys fan…

…probably the biggest most dedicated one on planet earth! And I myself am an Eagles fan…

So we decided we would go to watch this game to be played on December 25th. On top of that we were discussing the trip and we realized that this is a once and a lifetime event….

…So we stepped up and decide our clear intention was to have tickets on the 50 yard line and to be on the 3rd row….

We figure if we’re gonna do it, go big or go home. Instead of sitting up in nose bleed seats after spending money to fly out and hotels.

…side note I’m writing this blog from the sauna at la fitness just to prove you can blog anywhere….

Back to my story, so after making all these decisions… I decide to do one more thing and that was to bring along two other friends that I wanted to share the experience with…

One of best decisions I ever made, and expensive!

But I’m glad I did because of the friends I brought along is no longer with us!

So now that I have decide on what I wanted, it’s time for the how can I make it manifest…

Well what I did is wrote out a clear description of where we would stay, where are seats would be and how what we get there.

As a result we rented a Toyota Camry with four guys and drove from Riverside,CA to Dallas,TX….

21 hours later we arrived in Forth Worth, TX at our hotel, and we were dead tired…

…FML… We were driving forever and I promised I would never drive that distance again, I’m flying next time. 🙂

How did you physical manifest the money? That’s what we want to know…

Well let me explain…

First what I did is I wrote out a statement of my clear intentions.

It was very detailed, it describe the trip.

It describes exactly what I had to do in order to receive the money.

It gave me a definite date of when I had to complete task in order to receive the money.

As a bonus what I did was to committed the statement to memory and repeated it daily in front of a mirror with enthusiasm and visualize the pay check signed with my name on it.

So my results were, I attracted buyers…

This post is dedicated in Loving Memory of Anthony Gomez (R.I.P.) and my father Cedric P Jackson Sr (R.I.P.) who passed away on May 5th 2011

Here is another lovely song by one of Sam Lanin’s many bands, this time under his own, abovementoned denomination. Sam (C.) Lanin (1891-1977) was an American jazz bandleader.Lanin’s brothers, Howard and Lester, were also bandleaders, and all of them had sustained, successful careers in music. Lanin was one of ten children born to Russian-Jewish immigrants who emigrated to Philadelphia in the decade of the 1900s. Sam played clarinet and violin while young, and in 1912 he was offered a spot playing in Victor Herbert’s orchestra, where he played through World War I. After the war he moved to New York City and began playing at the Roseland Ballroom in late 1918. There he established the Roseland Orchestra; this ensemble recorded for the Columbia Gramophone Company in the early 1920s. Sam recorded with a plethora of ensemble arrangements, under names such as Lanin’s Jazz Band, Lanin’s Arcadians, Lanin’s Famous Players, Lanin’s Southern Serenaders, Lanin’s Red Heads, Sam Lanin’s Dance Ensemble, and Lanin’s Arkansaw Travelers. He did not always give himself top billing in his ensemble’s names, and was a session leader for an enormous number of sweet jazz recording sessions of the 1920s. Among the ensembles he directed were Ladd’s Black Aces, The Broadway Bell-Hops, The Westerners, The Pillsbury Orchestra and Bailey’s Lucky Seven. He had a rotating cast of noted musicians playing with him, including regular appearances from Phil Napoleon, Miff Mole, Jules Levy Jr. and Red Nichols, as well as Jimmy Dorsey, Tommy Dorsey, Manny Klein, Jimmy McPartland, Bix Beiderbecke, Eddie Lang, Bunny Berigan, Nick Lucas and Frankie Trumbauer. Lanin did little actual playing on these records; his main contributions were clean, well-orchestrated arrangements and session directions. In addition to his recordings, he also played regularly on radio after 1923, and the Roseland Orchestra played on New York radio weekly every Monday from 1923 to 1925. He entered into a sponsorship with Bristol-Myers for their toothpaste, Ipana; as a result, his ensemble was renamed The Ipana Troubadors. In 1928 and 1929, Lanin recorded with Bing Crosby. The 1929 stock market crash hit Sam Lanin hard, unlike his brother Lester; in 1931, he lost his contract with Bristol-Meyers, his radio show and the name Ipana Troubadors. By the middle of the 1930s, Sam was spending much of his time cutting transcription discs. While his fame had waned, he was still well off from the money he saved in the 1920s and retired from the music business by the end of the 1930s. He was essentially forgotten at the same time Lester went on to stardom. He died in 1977, having never returned to music. This lovely recording was made in 1927. Vocal by a singer credited ‘George Beaver’ who actually is Harold ‘Scrappy’ Lambert. Unfortunately, this disc was quite worn, but I considered it too beautiful to discard.

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How To Post, Send, Share My Blog Posts On Twitter

Many people searching for a good “how to post-send-share my blog posts on twitter, social media tips for business, social media tips for small business, social media marketing tips, social media tips and tricks, social media tips for business” and even” social networking tips video; watch this “how to post-send-share my blog posts on twitter?” video and are surprised to learn that posting, sharing, sending your blog or blogger posts to twitter is a very simple technique! A little known social media trick is to use click-to-tweet to share, post, send your blog or blogger posts to twitter.

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http://www.dailymotion.com/video/x1dijcp_social-media-marketing-tricks-1-sending-post-share-blogger-posts-on-twitter-small-business-marketing_lifestyle

Here is another lovely song by one of Sam Lanin’s many bands, this time under the, abovementoned denomination. Sam (C.) Lanin (1891-1977) was an American jazz bandleader.Lanin’s brothers, Howard and Lester, were also bandleaders, and all of them had sustained, successful careers in music. Lanin was one of ten children born to Russian-Jewish immigrants who emigrated to Philadelphia in the decade of the 1900s. Sam played clarinet and violin while young, and in 1912 he was offered a spot playing in Victor Herbert’s orchestra, where he played through World War I. After the war he moved to New York City and began playing at the Roseland Ballroom in late 1918. There he established the Roseland Orchestra; this ensemble recorded for the Columbia Gramophone Company in the early 1920s. Sam recorded with a plethora of ensemble arrangements, under names such as Lanin’s Jazz Band, Lanin’s Arcadians, Lanin’s Famous Players, Lanin’s Southern Serenaders, Lanin’s Red Heads, Sam Lanin’s Dance Ensemble, and Lanin’s Arkansaw Travelers. He did not always give himself top billing in his ensemble’s names, and was a session leader for an enormous number of sweet jazz recording sessions of the 1920s. Among the ensembles he directed were Ladd’s Black Aces, The Broadway Bell-Hops, The Westerners, The Pillsbury Orchestra and Bailey’s Lucky Seven. He had a rotating cast of noted musicians playing with him, including regular appearances from Phil Napoleon, Miff Mole, Jules Levy Jr. and Red Nichols, as well as Jimmy Dorsey, Tommy Dorsey, Manny Klein, Jimmy McPartland, Bix Beiderbecke, Eddie Lang, Bunny Berigan, Nick Lucas and Frankie Trumbauer. Lanin did little actual playing on these records; his main contributions were clean, well-orchestrated arrangements and session directions. In addition to his recordings, he also played regularly on radio after 1923, and the Roseland Orchestra played on New York radio weekly every Monday from 1923 to 1925. He entered into a sponsorship with Bristol-Myers for their toothpaste, Ipana; as a result, his ensemble was renamed The Ipana Troubadors. In 1928 and 1929, Lanin recorded with Bing Crosby. The 1929 stock market crash hit Sam Lanin hard, unlike his brother Lester; in 1931, he lost his contract with Bristol-Meyers, his radio show and the name Ipana Troubadors. By the middle of the 1930s, Sam was spending much of his time cutting transcription discs. While his fame had waned, he was still well off from the money he saved in the 1920s and retired from the music business by the end of the 1930s. He was essentially forgotten at the same time Lester went on to stardom. He died in 1977, having never returned to music. This lovely recording was made in 1929. Vocal by Willard Robison.

Here is another lovely song by one of Sam Lanin’s many bands, this time under his own, abovementoned denomination. Sam (C.) Lanin (1891-1977) was an American jazz bandleader.Lanin’s brothers, Howard and Lester, were also bandleaders, and all of them had sustained, successful careers in music. Lanin was one of ten children born to Russian-Jewish immigrants who emigrated to Philadelphia in the decade of the 1900s. Sam played clarinet and violin while young, and in 1912 he was offered a spot playing in Victor Herbert’s orchestra, where he played through World War I. After the war he moved to New York City and began playing at the Roseland Ballroom in late 1918. There he established the Roseland Orchestra; this ensemble recorded for the Columbia Gramophone Company in the early 1920s. Sam recorded with a plethora of ensemble arrangements, under names such as Lanin’s Jazz Band, Lanin’s Arcadians, Lanin’s Famous Players, Lanin’s Southern Serenaders, Lanin’s Red Heads, Sam Lanin’s Dance Ensemble, and Lanin’s Arkansaw Travelers. He did not always give himself top billing in his ensemble’s names, and was a session leader for an enormous number of sweet jazz recording sessions of the 1920s. Among the ensembles he directed were Ladd’s Black Aces, The Broadway Bell-Hops, The Westerners, The Pillsbury Orchestra and Bailey’s Lucky Seven. He had a rotating cast of noted musicians playing with him, including regular appearances from Phil Napoleon, Miff Mole, Jules Levy Jr. and Red Nichols, as well as Jimmy Dorsey, Tommy Dorsey, Manny Klein, Jimmy McPartland, Bix Beiderbecke, Eddie Lang, Bunny Berigan, Nick Lucas and Frankie Trumbauer. Lanin did little actual playing on these records; his main contributions were clean, well-orchestrated arrangements and session directions. In addition to his recordings, he also played regularly on radio after 1923, and the Roseland Orchestra played on New York radio weekly every Monday from 1923 to 1925. He entered into a sponsorship with Bristol-Myers for their toothpaste, Ipana; as a result, his ensemble was renamed The Ipana Troubadors. In 1928 and 1929, Lanin recorded with Bing Crosby. The 1929 stock market crash hit Sam Lanin hard, unlike his brother Lester; in 1931, he lost his contract with Bristol-Meyers, his radio show and the name Ipana Troubadors. By the middle of the 1930s, Sam was spending much of his time cutting transcription discs. While his fame had waned, he was still well off from the money he saved in the 1920s and retired from the music business by the end of the 1930s. He was essentially forgotten at the same time Lester went on to stardom. He died in 1977, having never returned to music. This wonderful record was made in 1930, featuring a delicate vocal by Scrappy Lambert.

Eve – Gotta Man
——————————————–
Eve Jihan Jeffers-Cooper (born November 10, 1978) is an American hip hop recording artist and actress from Philadelphia, Pennsylvania. She is also the inaugural winner of the Grammy Award for Best Rap/Sung Collaboration in 2002, for the song “Let Me Blow Ya Mind”, with American singer Gwen Stefani. Eve was number 48 on VH1’s “50 Greatest Women of the Video Era” list.

As an actress, Eve is known for her roles as Terri Jones in the films Barbershop and Barbershop 2: Back in Business, and as Shelley Williams on the UPN television sitcom Eve. She has also achieved success in fashion, with her clothing line, Fetish.

——————————————–
Elle est née le 10 novembre 1978 de Jerry Jeffers, un chimiste, et d’une mère afro-américaine, Julia Wilch-Jeffers. Après avoir fait partie du groupe EDGP (prononcer « Egypt ») avec qui elle commence à chanter, elle est ensuite membre du groupe de DMX, les Ruff Ryders.

Elle fera un bref passage sur le label de Dr Dre “Aftermath Entertainment” pour y revenir en 2004 suite à son départ de chez Ruff Ryders. On l’entendra aussi sur plusieurs morceaux en 2005 sur l’album de Dr Dre “Detox” dont celui avec The Notorious B.I.G. & 2pac “That’s What It is”. Sur la volonté de Dr Dre, elle signe en 2007 sur Geffen Records; label comportant des artistes de renommée comme Snoop Dogg, Mary J Blige ou encore The Game.

En 2003, elle joue dans sa série télévisée “Eve” avec Sean Maguire, Natalie Desselle et Jason Winston George.

Eve est aussi une spécialiste de la mode.

En 2007, elle fait la une des faits divers, pour un accident de voiture avec sa Maserati sur Hollywood Boulevard (le 26 avril 2007). Elle dut porter un bracelet détectant la présence d’alcool dans l’organisme (alcohol-detecting ankle bracelet) pendant 45 jours et suivre un traitement chez les alcooliques anonymes.

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List in : http://www.metalstorm.net

5. Gamma Ray
https://www.youtube.com/watch?v=sYBOsvSYZvI
4. Rammstein
https://www.youtube.com/watch?v=EOnSh3QlpbQ
3. Helloween
https://www.youtube.com/watch?v=M7D7ynntNbg
2. Kreator
https://www.youtube.com/watch?v=nb7kmUfMazc
1. Blind Guardian
https://www.youtube.com/watch?v=Ep1B_aIFPDE

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