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Welcome to the monotonous, oppresive modern American byproduct of suburban sprawl: the urban strip mall. Native to this environment and products of outdated pop culture are Rob (Mark Greenfield) and Manny (Coolio), the unsuccessful, unrefined and uncout sales force behind Affordable Mattress. When new employee Isabelle (Rocío Verdejo) is hired in hopes of improving dismal sales, some things do change and after recruiting fellow strip mall burnout Martin (C. Clayton Blackwell), she’s got everyone working together to split a common goal – 200.000 dollars.

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FESTIVAL SELECTIONS

PHILADELPHIA INDEPENDENT FILM FESTIVAL
MANHATTAN FILM FESTIVAL
VEGAS INDEPENDENT FILM FEST
INDEPENDENT DAYS FILMFEST – Opening Night Film
BOSTON INTERNATIONAL FILM FESTIVAL
ROME INDEPENDENT FILM FESTIVAL – In Competition
ANCHORAGE INTERNATIONAL FILM FESTIVAL
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FESTIVAL AWARDS

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AUBURN HILLS, Mich. (AP) When Andre Drummond got rolling Wednesday night, Philadelphia 76ers coach Brett Brown did the same thing almost every NBA coach does.
He started fouling the Detroit Pistons center, hoping to chase the worst free-throw shooter in league history off the floor.
It usually works, as Drummond came into the game shooting 26.9 percent from the line in his last 13 games, including a barely believable 1 for 14 in the last two.
Wednesday was the rare exception. Drummond had his best night from the line since October, going 7 for 12 as the Pistons won 110-97.
“That was great,” said Pistons coach Stan Van Gundy. “Who wants to foul a guy who is going to go 7 for 12? That kind of points per possession translates into good offense.”
Able to play his normal 35 minutes, Drummond put up 25 points and 18 rebounds. That included nine offensive rebounds.
“Dre’s an All-Star in this league and we all know it,” said Reggie Jackson, who scored 27 points. “He hasn’t had the best last two games, but he put a lot of work into it and it was great to see him knock down those free throws. He had his energy back tonight and he played like a great player again.”
Jeremi Grant scored 21 points for the Sixers, while Nerlens Noel had 20.
“I’ve been playing against Andre since I was 15, so I know what you have to do to stop him,” Noel said. “He’s a great player, and I know that he can wear a lot of guys out with his strength and athletic ability, but he’s one of the guys that I’ve always worked on being able to match.”
The 76ers played without starters Jahlil Okafor and JaKarr Sampson, who both missed their second game in two nights with the flu.
Without them, the Sixers didn’t have the legs to keep up with Detroit down the stretch. A victory would have given Philadelphia its first two-game winning streak of the season.
“We did a great job of gutting out most of that game,” Brown said. “I think our young guys learned a lot about the NBA tonight, because they had to step up and make a huge effort when they were hurting physically and mentally.”
Philadelphia led 79-74 going into the fourth, but Johnson’s floater tied it at 86 with 7:31 to play. Johnson scored again on Detroit’s next possession, and Jackson’s 3-pointer put the Pistons up 91-90.
Detroit was within 45-44 at the half, but couldn’t stop Noel early in the third. A very rare three-point play by Drummond helped Detroit stay in the game, but Isaiah Canaan topped him with a four-point play late in the period.
Noel and Grant outscored the Pistons 14-12 in the first quarter as Philadelphia built an eight-point lead. Even with the Sixers on the second half of a back-to-back, it was Detroit that came out without any energy – something Van Gundy has complained about all year.
“I thought we played three quarters of a game on both ends of the floor,” he said. “We didn’t play offense in the first quarter and we didn’t play defense in the third. If we could ever play consistently for 48 minutes, we’d have a chance to do some big things.”
The Sixers still led 36-26 with five minutes left in the second, but Detroit’s offense finally showed up while Philadelphia stopped hitting shots. After a huge mistake when Drummond was called for goaltending on a 3-pointer, Detroit narrowed the gap when Jackson pulled up, pump-faked and banked in a buzzer-beating 3.
Both teams failed to break 40 percent from the floor in the half, but the Pistons were able to stay close despite nine turnovers by outscoring the Sixers 11-6 from the free throw line.

http://www.BlankTV.com – Count to Four – “Bottles and Books” – Like this video? Come see thousands more at the Net’s largest, uncensored, completely d.i.y. music video site, BlankTV.com! We’ve got News, Games, Contests and the stuff that we can’t show on YouTube!

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***

iTunes: https://itunes.apple.com/us/album/between-two-cities/id639602950
Other Purchase Link: http://counttofour.bandcamp.com

Count to Four – “Bottles and Books (Lyric Video)” A BlankTV Feature!

Artist city, country: Philadelphia, Pennsylvania, USA

Artist Biography: Count to Four is an aggressive pop-punk band from South Jersey /
Philadelphia in the vein of The Wonder Years. With a strong focus on musicianship, Count to Four delivers unrepetitive, complex and catchy guitar riffs. Combined with unforgettable, singalong lyrics and melodic vocals, the band creates a mature, yet altogether familiar sound to the pop-punk genre.

Check out the band’s first full-length album titled “Between Two Cities”; produced/recorded at 37 Studios by Matt Dalton (I See Stars, For the Fallen Dreams, Craig Owens, Chiodos etc) You can download both of their previous EP’s for FREE from http://counttofour.bandcamp.com/

Artist Note:
“Pop Punk is all about growing up, and we try to capture all the emotions, positive and negative, that go along with it. I think that’s what makes it relatable…In the end, it’s music, it’s expression. We do this because we love it, and none of us would want to be doing anything else.”

Facebook: http://www.facebook.com/counttofour
Twitter: http://www.twitter.com/counttofour
YouTube: http://www.youtube.com/counttofour
LastFM: http://www.last.fm/music/Count+to+Four
SoundCloud: http://soundcloud.com/counttofour
BandCamp: http://counttofour.bandcamp.com/
Tumblr: http://counttofournj.tumblr.com/
Other Link: http://instagram.com/counttofourband

Song Lyrics: Well you got a bottle baby and I got a book
And I’ll be marking the minutes that made the hours it took
For me to find a way
To break the page
And find the words I felt that I need to say
A mile a minute I made the effort to talk
About a boy who’s a beast but hits the beau with a balk
And now I’m stuck on my tongue
That’s spits the words out quick
I take a breath in my lung
That leaves me lacking in wit

Well you got a bottle baby and I got a book
I put my foot on the gas but I think the engine just shook
Another hundred miles gone
Another lyric for this song
Don’t ever walk away from me
Don’t let this fiction stay between
I swear I can change things
I swear I can change things

Don’t bother me
About my week
And all the things that you say
Yeah you’re a fucking mistake
And I’ll be doing just fine
Cause I’ll be living my life
But I just don’t want to die
On the New Jersey Turnpike

The smoke is burning through my lungs
Pushed to my face from off their tongue
I’d leave but it just goes to show
That I’ve got nowhere else to go

Don’t bother me
About my week
And all the things that you say
Yeah you’re a fucking mistake
And I’ll be doing just fine
Cause I’ll be living my life
But I just don’t want to die
On the New Jersey Turnpike

***

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PRESENTED BY JACK GLAZER

“You don’t just get there straight out of the blue; those haunting humming synthesizers at the beginning of “D,” the melancholy piano chord changes, the emotional pull the song has on your psyche. It’s a process, you know? It comes from years of growth, experimentation, revision, looking at the scene from another angle, considering the possibilities. “Take a picture, make it last, make it different,” sings Dominic Angelella. And that’s very much the road DRGN King has taken.

Our story opens with Angelella onstage at a North Philadelphia rock club, his hair flailing, his guitar strings rattling, hisface beaming. It’s 2009 or thereabouts, and he’s performing with one of his old bands, a punky Americana group with such high energy, folks are hanging outafter the show to shake his hand. A couple months later, a different venue, a different scene entirely — an eclectic hip-hop outfit, and there he is again, playing guitar. Later still, Angelella’s face keeps showing up in band photos, on show flyers and venue websites. His enthusiasms run the gamut — experimental lo-fi psych, indie rock soul, arty grunge throwbacks. The question has to be asked – are you in every group in Philadelphia? He laughs, responds: No man, just a bunch of projects.

Meanwhile in South Philly, Brent “Ritz” Reynolds was holed up in a studio, making a name for himself as a young hip-hop producer. He cut tracks for The Roots, worked with Mac Miller and State Property alum Peedi Crakk. Reynolds knew his stuff and had the moxy for the hard haul of being a freelance recording guru. In early 2010 he and Angelella connected in a chance recording session, and the doors of possibility were blown open. Angelella’s songwriting would become a prototype for Reynolds to test out his lush, imaginative production skills into the rock world. Conversely, Reynolds’ studio alchemy would place Angelella’s broad-spanning tastes and musical interests under a single umbrella. You don’t have to be in a dozen different-sounding bands and call them a dozen different things. You can do it all, and call it DRGN KING.

DRGN KING debuted in a well-received warehouse show that fall. Angelella and Reynolds deemed the experiment a success, and kept it moving. Various musical collaborators were brought in, shows got played and new songs were written. Then they retreated into the studio, recorded, refined and recorded some more. Paragraph Nights comes after two years of nose-to-the-grindstone work, and its song are bursting with life, excitement, self-discovery, possibility. Listen to the pensive, introspective electronic pop of “Warriors.” It’s a nod to the community of artists and musicians in Philadelphia, and ruminates on crafting an identity through art: “People tell me I got no purpose,” Angelella sings. “They’re not wrong but it’s allright.”

Skip around and you’ll find a variety of tones and moods. The fierce industrial juggernaut “Barbarians” rushes at you with a surreal account of nightlife as a rite of passage, as well as a possibly damaging pursuit that just might fray one’s sanity. With haunting half-whispered, half-howled vocals and hammering drumbeats, DRGN King pushes you to the edge, then carries you back. Earlier, the power pop riffage of “Holy Ghost” laughs and makes an anthemic march out of people projecting an identity onto Angelella — telling him he looks like the Christian Jesus.

With a massive beat and blissful refrain, “Altamont Sunrise” is a soaring number to carry you on your way — to other cities, to other countries, worlds apart from where we are today. A snapping snare drum and juggling bass line are your guides, while Angelella sings loudly and joyously with everyone in the room about taking the lessons learned and making something bigger and brighter on top of the ruins.”-John Vettese, WXPN

http://www.wearedrgnking.com/

Los Angeles is:
Cindi Avnet- Co-Producer
Aleah Wolinsky-Videographer/ Field Producer
Jeff Bates- Audio Engineer
Anabel Correa- Assistant Audio Engineer
Atara Gottschalk- Co-Producer
Leah Hobbs-Associate Producer
Anthony Daglio & Lydia Reed- PA

Tune in again to BalconyTV //

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